James Orchard Halliwell-Phillipps lived like a tramp, but he had a huge collection of “Shakespearean rarities.” Photo via theGuardian

• On Vijay Seshadri, the poet who won this year’s Pulitzer: “The combination of epic sweep … and piercing, evocative detail is characteristic of the contribution Seshadri has made to the American canon.”
• Next week at Lincoln Center, Rachel Kushner introduces Anna, a seventies documentary that will be familiar to readers of The Flamethrowers: it “centers on the titular pregnant, homeless sixteen-year-old whom the filmmakers discovered in Rome’s Piazza Navona.”
• “In a small series of sheds in Sussex a nineteenth-century joker and eccentric hoarded the evidence that reconciles Shakespeare the playwright with Shakespeare the man.”
• Heaven Is for Real“is based on the mega-bestseller by a pastor whose four-year-old had major surgery, after which he knew things he couldn’t possibly have known, and also claimed to have met Jesus … The intended audience appears to be people in medically induced comas who enjoy Nebraska-themed screensavers and who think that Michael Landon had a little too much ‘bad boy edge’ on Highway to Heaven.”
• What’s this? Just the average story of a doctor-buccaneer who lived among the natives of Panama in the seventeenth century: “It took almost an hour for his shipmates to recognize him. Then one started backwards in shock. ‘Why! Here’s our doctor!’ the man cried, and a crowd gathered around him, trying to rub off the geometric paint that obscured his features. It was Lionel Wafer, the pirate surgeon.”
• In 1951, when the sociologist C. Wright Mills published White Collar: The American Middle Classes, “an entire society was being white-collarized. Status and prestige, emotional games and office politics: These were leaking out of the workplace and into the world, coloring the entire way people interacted and organized their time and leisure. The frankly confrontational style of blue-collar work and industrial unions was disappearing.”