“You should get out there and rob a bank,” Rimbaud apparently urges his readers. Illustration by Paterne Berrichon, ca. 1890s.

• Inspired by Rimbaud—“who essentially believed a poet had to descend into the depths of all that was bad and report back”—an MIT visual arts and film professor held up a bank in Chinatown. “I stood outside the bank talking into the camera for quite a while … going over the different reasons to do it and not to do it.”
• In the mid-nineteenth century, on the other hand, women were scarcely allowed to visit the post office, which was “frequently made rendezvous for interdirected communication and illicit pleasures.”
• But today, in the age of big data, everyone is welcome in museums—especially if you bring your smartphone. “From the minute you enter the building—before, if you bought tickets online—you are also contributing personal information to the museum’s newly minted ‘engagement’ department. Don’t be surprised if, while you linger in front of a Caravaggio, a coupon for a cappuccino in the museum café pops up on your phone … When data mining turns a museum into a frequent-flier program, the result is commerce, not culture.”
• In 1966, a British magazine illustrator went on the set of 2001and drew what he saw. “Kubrick [wanted] illustrated production stills of what happened on his set, rather than having a photographer take noisy and distracting photographs. The illustrations … would then be sent out in press kits to publications and other media outlets that could promote the film.” None of his images were published at the time, but now you can see them here.
• Don’t just judge a book by its cover—judge it by two. Compare U.S. and UK editions of last year’s books.